‘Queens of the Dead’ Review – A Horror Comedy That’s Cool, Kind, and Queer as Hell
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‘Queens of the Dead’ Review – A Horror Comedy That’s Cool, Kind, and Queer as Hell

Tina Romero, daughter of legendary horror filmmaker George A. Romero, makes her directorial debut with her own take on the zombie genre in Queens of the Dead. This horror comedy follows a group of drag queens, DJs, drug dealers, and club kids who have to fend for themselves as zombies flood the streets of Brooklyn…

‘Together’ Review – Alison Brie and Dave Franco Stick Together in this Darkly Funny Romantic Horror
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‘Together’ Review – Alison Brie and Dave Franco Stick Together in this Darkly Funny Romantic Horror

Have you ever felt like you were losing yourself in a relationship? Writer and director Michael Shanks takes that fear and turns it into the central horror of his debut feature Together. Tim and Millie (played by real-life spouses Dave Franco and Alison Brie) have been together for a decade when they uproot their life…

‘Sweetness’ Review – Misery Meets MCR in Emma Higgins’ Bold Debut About Teen Angst and Obsessive Fandom
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‘Sweetness’ Review – Misery Meets MCR in Emma Higgins’ Bold Debut About Teen Angst and Obsessive Fandom

Writer/director Emma Higgins introduced her debut film, Sweetness, at the Fantasia International Film Festival by saying it was for “girls who shop at Hot Topic, wear too much eyeliner, coloured hair, people on SSRIs, the emos, for Gerard Way of My Chemical Romance—it’s for anyone who has ever loved a musician or had a broken…

‘Materialists’ Review – The Most Cynical Rom-Dramedy of the Year is a Baffling Mess

‘Materialists’ Review – The Most Cynical Rom-Dramedy of the Year is a Baffling Mess

Following up Past Lives was always going to be difficult in my estimation. That movie is one that remains near and dear to my heart. It’s a movie that has affected me emotionally in ways I’m almost embarrassed to admit. So it’s conflicting to come away from Celine Song’s second feature Materialists feeling so ….

‘Final Destination Bloodlines’ Review – Death Is Back and Better Than Ever

‘Final Destination Bloodlines’ Review – Death Is Back and Better Than Ever

It’s been 14 years since the last Final Destination movie and I, for one, thought the franchise was dead and buried. Thankfully, Final Destination Bloodlines, the sixth instalment in the series, brings some fresh blood to the lineage. I have a fondness for the Final Destination films, particularly the first three. As a kid, I…

‘Mickey 17’ Review: Essential Sci-Fi or Expendable Mess?

‘Mickey 17’ Review: Essential Sci-Fi or Expendable Mess?

It’s been quite a few years since Parasite swept the Oscars, but director Bong Joon-ho is finally back, with a return to his genre roots. Based on the novel Mickey7, Mickey 17 is a comedic science fiction story set in a near-future in which humans have begun to explore and colonize other planets. Escaping financial…

‘The Monkey’ Review: A Delightfully Absurd and Funny Gorefest

‘The Monkey’ Review: A Delightfully Absurd and Funny Gorefest

The Monkey is exactly the kind of hilarious, madcap horror-comedy we need to inject a little life (and death) into cinemas this February. The latest from Longlegs director Osgood Perkins, The Monkey is based on the Stephen King short story of the same name and follows twin brothers who discover a mysterious wind-up monkey (don’t…

‘Nosferatu’ Review: Beautifully Crafted Gothic Horror

‘Nosferatu’ Review: Beautifully Crafted Gothic Horror

It’s hard to tell old stories in new ways. That’s especially true when the story in question is one that’s been told countless times since the 1890s. If you’ve never read Bram Stoker’s Dracula (1897), you’re still likely familiar with the story in some form or another. If not that, then you’re surely familiar with…

‘The Brutalist’ Review: A Dense Historical Epic About the Difficulties of Making Art

‘The Brutalist’ Review: A Dense Historical Epic About the Difficulties of Making Art

It’s been weeks, and there are images from Brady Corbet’s The Brutalist that haven’t left me. It’s an exquisitely crafted film, shot with care on VistaVision, a largely obsolete 35mm film format that hadn’t been used in the full production of a movie in decades. This is a large, dense film. In a strange way,…

‘The Order’ Review: Jude Law’s Neo-Nazi Docudrama Is One of the Best Cat-And-Mouse Crime Thrillers of the Year

‘The Order’ Review: Jude Law’s Neo-Nazi Docudrama Is One of the Best Cat-And-Mouse Crime Thrillers of the Year

The Order was one of the biggest surprises of AFF for me. I went into it with no expectations, not really knowing anything about it. What I got was one of the tightest crime dramas of the year so far. Of director Justin Kurzel’s previous work, I’d only seen his gritty, brooding adaptation of Macbeth,…